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MEMORY AND FORGETTING IN THE YEAR 2440 BY LOUIS-SÉBASTIEN MERCIER
dc.contributor.authorSzabolcs, Enikö
dc.date.accessioned2020-11-02T11:59:16Z
dc.date.available2020-11-02T11:59:16Z
dc.date.issued2020
dc.identifier.issn2336–6729
dc.identifier.urihttp://hdl.handle.net/20.500.11956/123029
dc.language.isocs_CZcs_CZ
dc.publisherUniverzita Karlova, Filozofická fakultacs_CZ
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.sourceSvět literatury, 2020, Special Issue, 51-60cs_CZ
dc.source.urihttps://svetliteratury.ff.cuni.cz
dc.subjectfuturistic novelcs_CZ
dc.subjectutopiacs_CZ
dc.subjectruinscs_CZ
dc.subjecttombscs_CZ
dc.subjectDenis Diderotcs_CZ
dc.titleMémoire et oubli dans L’An 2440 de Louis-Sébastien Merciercs_CZ
dc.typeVědecký článekcs_CZ
dc.title.translatedMEMORY AND FORGETTING IN THE YEAR 2440 BY LOUIS-SÉBASTIEN MERCIERcs_CZ
uk.abstract.enIn Mercier’s futuristic novel published in 1771, the author’s alter ego wakes up one day as a sevenhundred-year-old man and he rediscovers the city of Paris in the company of a citizen of the 25th century. Memory and forgetting can be interpreted in different ways in the novel: on the one hand, we can see how the elderly man remembers his own time, what memories he keeps from the 18th century, and also how the people of this new Paris are kept in the memory of future generations. On the other hand, we will examine the author’s point of view, especially the influence of the philosophers of his time. During Mercier’s meditations on the tombs and ruins, it is mainly the impact of Diderot’s thoughts that dominates, and these passages show that the notions of memory and forgetting are closely related to those of imagination and dream.cs_CZ
dc.publisher.publicationPlacePrahacs_CZ
uk.internal-typeuk_publication
dc.identifier.doi10.14712/23366729.2020.3.4cs_CZ
dc.description.startPage51
dc.description.endPage60
dcterms.isPartOf.nameSvět literaturycs_CZ
dcterms.isPartOf.journalYear2020
dcterms.isPartOf.journalVolume2020
dcterms.isPartOf.journalIssueSpecial Issue


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