dc.contributor.author | Litwinowicz-Krutnik, Zofia | |
dc.date.accessioned | 2020-11-02T12:23:08Z | |
dc.date.available | 2020-11-02T12:23:08Z | |
dc.date.issued | 2020 | |
dc.identifier.issn | 2336–6729 | |
dc.identifier.uri | http://hdl.handle.net/20.500.11956/123035 | |
dc.language.iso | fr | cs_CZ |
dc.publisher | Univerzita Karlova, Filozofická fakulta | cs_CZ |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/2.0/ | |
dc.source | Svět literatury, 2020, Special Issue, 109-120 | cs_CZ |
dc.source.uri | https://svetliteratury.ff.cuni.cz | |
dc.subject | synaesthetic memory | cs_CZ |
dc.subject | Augustine or the Master is Here | cs_CZ |
dc.subject | Joseph Malègue | cs_CZ |
dc.subject | ecstasy of memory | cs_CZ |
dc.subject | involuntary memory | cs_CZ |
dc.title | Le problème de la mémoire cinesthésique dans Augustin ou le Maître est là de Joseph Malègue | cs_CZ |
dc.type | Vědecký článek | cs_CZ |
dc.title.translated | THE PROBLEM OF SYNAESTHETIC MEMORY IN JOSEPH MALÈGUE’S NOVEL AUGUSTIN OU LE MAÎTRE EST LÀ | cs_CZ |
uk.abstract.en | In Joseph Malègue’s novel Augustine or the Master is Here, published in 1933, synaesthesia has a crucial role in the functioning of memory and in the shaping of human being’s situation in time. The synaesthetic memory, built upon synaesthetic experiences, is understood as a global memory determined by unified senses of vision, smell, taste, hearing and touch, inextricably connected to involuntary memory. As Malègue’s treatment of memory bears a strong resemblance to that of Marcel Proust in his cycle In Search of Lost Time, the synaesthetic memory in the novel is constituted by three main elements: the eternity of the main protagonist’s childhood memories, unified by the memorable smell of hay; the search of the absolute by the characters; and finally, the mystical experiences called “ecstasies of memory”. The latter determine moments comparable to an illumination, when the involuntary memory turns up out of an unexpected event or a stimulation of a particular sense. The article offers a close reading of three main experiences constituting the “ecstasies of memory” in the novel Augustine or the Master is Here: the phenomena of roses and Liszt’s rhapsody, linked with the protagonist’s love to his almost-fiancée Anne de Préfailles; the Font-Sainte chapel, which marks his first religious experience ; and finally, the pilgrimage to a place called also Font-Sainte, which reappears in the novel, becoming its leitmotiv and the buckle of the protagonist’s identity. | cs_CZ |
dc.publisher.publicationPlace | Praha | cs_CZ |
uk.internal-type | uk_publication | |
dc.identifier.doi | 10.14712/23366729.2020.3.9 ; ; ; ; | cs_CZ |
dc.description.startPage | 109 | |
dc.description.endPage | 120 | |
dcterms.isPartOf.name | Svět literatury | cs_CZ |
dcterms.isPartOf.journalYear | 2020 | |
dcterms.isPartOf.journalVolume | 2020 | |
dcterms.isPartOf.journalIssue | Special Issue | |