„Spasení Spasiteli“: poslední dílo o posledním díle

dc.contributor.author	Kolman, Vojtěch
dc.date.accessioned	2021-06-15T10:02:44Z
dc.date.available	2021-06-15T10:02:44Z
dc.date.issued	2021
dc.identifier.issn	2336–6729
dc.identifier.uri	http://hdl.handle.net/20.500.11956/125767
dc.language.iso	cs_CZ	cs
dc.publisher	Univerzita Karlova, Filozofická fakulta	cs_CZ
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/2.0/
dc.source.uri	https://svetliteratury.ff.cuni.cz
dc.subject	Roger Scruton	cs
dc.subject	Richard Wagner	cs
dc.subject	G. W. F. Hegel	cs
dc.subject	leitmotif	cs
dc.subject	symbol	cs
dc.subject	sympathy	cs
dc.subject	redemption	cs
dc.title	„Spasení Spasiteli“: poslední dílo o posledním díle	cs
dc.type	Vědecký článek	cs
dc.title.translated	“REDEMPTION TO THE REDEEMER”: THE LAST WORK ON THE LAST WORK	cs
uk.abstract.en	In this study, I discuss Roger Scruton’s last book, devoted to Wagner’s Parsifal, in the light of Scruton’s previous books on Wagner (particularly his book on Wagner’s Ring) and his aesthetics of music in general. This is done against the background of Scruton’s differentiation between symbolic and allegoric readings of art, and their implementation in an analysis of Wagner’s leitmotifs that, as I claim, is of a broader philosophical significance and can be made use of, e.g., in a complex reading of Hegel’s “master and slave” parable.	cs
dc.publisher.publicationPlace	Praha	cs_CZ
uk.internal-type	uk_publication
dc.identifier.doi	10.14712/23366729.2021.1.5
dc.description.startPage	79	cs
dc.description.endPage	92	cs

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