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The Artistic Work of the Süssner Family in Germany and Bohemia in the Second Half of 17th Century
dc.contributor.advisorZlatohlávek, Martin
dc.creatorSehnal, Jiří
dc.date.accessioned2017-04-06T10:03:37Z
dc.date.available2017-04-06T10:03:37Z
dc.date.issued2007
dc.identifier.urihttp://hdl.handle.net/20.500.11956/12834
dc.description.abstractThis thesis outlines the artistic work ofthe German extended Stissner fami1y, which originated from Nortwest Bohemia. In the work we find (as many as) eight members ofthe Stissner family, as many as five ofwhom were artistically active. The most significant figures within this family are Jeremias Stissner (1653-1690), the Brandenburg (Saxon) court sculptor from the West Bohemian town ofOstrov, who was active in Dresden and Berlin, and his brother Conrad Max Stissner (1665-after 1696). These artist workedpredominantly within a German environment and their artistic contribution to the Czech scene was a "mere" import (six sculptures for the knights' church of St. Francis /kostel sv. Františka! in Prague's Old Town in 1689 and 1691), assumed to be from the Dresden studio. The greater part ofthis thesis is devoted to both brothers, in which the more significant Jeremias Stissner is to a certain extent ofregional importace. Unfortunately, due to the fragmented nature ofthe records, information about these attists is incomplete. Their work reflects both the classicist Flemish school, as well as radical Roman baroque, which was close to the works of Giovanni Lorenzo Bemini or Alessandro AIgardi. The work of the Flemish school is connected to the master Johann Heinrich senior, ofwhom Jeremias Stissner was a...en_US
dc.languageČeštinacs_CZ
dc.language.isocs_CZ
dc.publisherUniverzita Karlova, Katolická teologická fakultacs_CZ
dc.titleUmělecká tvorba rodiny Süssnerů v německém a českém prostředí v druhé polovině 17. stoletícs_CZ
dc.typebakalářská prácecs_CZ
dcterms.created2007
dcterms.dateAccepted2007-09-03
dc.description.departmentÚstav dějin křesťanského uměnícs_CZ
dc.description.departmentInstitute of Christian Art Historyen_US
dc.description.facultyCatholic Theological Facultyen_US
dc.description.facultyKatolická teologická fakultacs_CZ
dc.identifier.repId14974
dc.title.translatedThe Artistic Work of the Süssner Family in Germany and Bohemia in the Second Half of 17th Centuryen_US
dc.contributor.refereeOulíková, Petra
dc.identifier.aleph000819194
thesis.degree.nameBc.
thesis.degree.levelbakalářskécs_CZ
thesis.degree.disciplineDějiny křesťanského uměnícs_CZ
thesis.degree.disciplineHistory of Christian Artsen_US
thesis.degree.programTheory and History of Art and Cultureen_US
thesis.degree.programObecná teorie a dějiny umění a kulturycs_CZ
uk.thesis.typebakalářská prácecs_CZ
uk.taxonomy.organization-csKatolická teologická fakultacs_CZ
uk.taxonomy.organization-enCatholic Theological Facultyen_US
uk.faculty-name.csKatolická teologická fakultacs_CZ
uk.faculty-name.enCatholic Theological Facultyen_US
uk.faculty-abbr.csKTFcs_CZ
uk.degree-discipline.csDějiny křesťanského uměnícs_CZ
uk.degree-discipline.enHistory of Christian Artsen_US
uk.degree-program.csObecná teorie a dějiny umění a kulturycs_CZ
uk.degree-program.enTheory and History of Art and Cultureen_US
thesis.grade.csVelmi dobřecs_CZ
thesis.grade.enVery gooden_US
uk.abstract.enThis thesis outlines the artistic work ofthe German extended Stissner fami1y, which originated from Nortwest Bohemia. In the work we find (as many as) eight members ofthe Stissner family, as many as five ofwhom were artistically active. The most significant figures within this family are Jeremias Stissner (1653-1690), the Brandenburg (Saxon) court sculptor from the West Bohemian town ofOstrov, who was active in Dresden and Berlin, and his brother Conrad Max Stissner (1665-after 1696). These artist workedpredominantly within a German environment and their artistic contribution to the Czech scene was a "mere" import (six sculptures for the knights' church of St. Francis /kostel sv. Františka! in Prague's Old Town in 1689 and 1691), assumed to be from the Dresden studio. The greater part ofthis thesis is devoted to both brothers, in which the more significant Jeremias Stissner is to a certain extent ofregional importace. Unfortunately, due to the fragmented nature ofthe records, information about these attists is incomplete. Their work reflects both the classicist Flemish school, as well as radical Roman baroque, which was close to the works of Giovanni Lorenzo Bemini or Alessandro AIgardi. The work of the Flemish school is connected to the master Johann Heinrich senior, ofwhom Jeremias Stissner was a...en_US
uk.publication.placePrahacs_CZ
uk.grantorUniverzita Karlova, Katolická teologická fakulta, Ústav dějin křesťanského uměnícs_CZ
dc.identifier.lisID990008191940106986


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