| dc.contributor.advisor | Konečný, Lubomír | |
| dc.creator | Janáčová, Eva | |
| dc.date.accessioned | 2017-04-06T12:47:24Z | |
| dc.date.available | 2017-04-06T12:47:24Z | |
| dc.date.issued | 2007 | |
| dc.identifier.uri | http://hdl.handle.net/20.500.11956/13616 | |
| dc.description.abstract | Hlavním cílem této magisterské diplomní práce je na obecné rovině prozkoumání ikonografie věčného žida v českém i světovém v , umenl. | cs_CZ |
| dc.description.abstract | In general terms, the principal aim of this MA thesis is to explore the iconography ofthe Wandering Jew in both Czech and world fine art. lnitially, some room is dedicated to the historical evolution ofthe legend of the Wandering Jew, who is originally referred to as Cartaphilus or Malchos, later Ahasverus. According to a narrative, taken down already in the first half of the thirteenth century in its essential setup, the so called "Wandering Jew" had punched Jesus, for which he was condemned by him to a ceaseless wandering until his second advent on earth. | en_US |
| dc.language | Čeština | cs_CZ |
| dc.language.iso | cs_CZ | |
| dc.publisher | Univerzita Karlova, Filozofická fakulta | cs_CZ |
| dc.title | Zobrazení věčného žida v českém a světovém umění | cs_CZ |
| dc.type | diplomová práce | cs_CZ |
| dcterms.created | 2007 | |
| dcterms.dateAccepted | 2007-09-18 | |
| dc.description.department | Ústav pro dějiny umění | cs_CZ |
| dc.description.department | Institute of Art History | en_US |
| dc.description.faculty | Faculty of Arts | en_US |
| dc.description.faculty | Filozofická fakulta | cs_CZ |
| dc.identifier.repId | 49666 | |
| dc.title.translated | Image of the wandering Jew in Czech and world art | en_US |
| dc.contributor.referee | Lahoda, Vojtěch | |
| dc.identifier.aleph | 001706948 | |
| thesis.degree.name | Mgr. | |
| thesis.degree.level | magisterské | cs_CZ |
| thesis.degree.discipline | Dějiny umění | cs_CZ |
| thesis.degree.discipline | History of Art | en_US |
| thesis.degree.program | Theory and History of Art and Culture | en_US |
| thesis.degree.program | Obecná teorie a dějiny umění a kultury | cs_CZ |
| uk.thesis.type | diplomová práce | cs_CZ |
| uk.taxonomy.organization-cs | Filozofická fakulta::Ústav pro dějiny umění | cs_CZ |
| uk.taxonomy.organization-en | Faculty of Arts::Institute of Art History | en_US |
| uk.faculty-name.cs | Filozofická fakulta | cs_CZ |
| uk.faculty-name.en | Faculty of Arts | en_US |
| uk.faculty-abbr.cs | FF | cs_CZ |
| uk.degree-discipline.cs | Dějiny umění | cs_CZ |
| uk.degree-discipline.en | History of Art | en_US |
| uk.degree-program.cs | Obecná teorie a dějiny umění a kultury | cs_CZ |
| uk.degree-program.en | Theory and History of Art and Culture | en_US |
| thesis.grade.cs | Výborně | cs_CZ |
| thesis.grade.en | Excellent | en_US |
| uk.abstract.cs | Hlavním cílem této magisterské diplomní práce je na obecné rovině prozkoumání ikonografie věčného žida v českém i světovém v , umenl. | cs_CZ |
| uk.abstract.en | In general terms, the principal aim of this MA thesis is to explore the iconography ofthe Wandering Jew in both Czech and world fine art. lnitially, some room is dedicated to the historical evolution ofthe legend of the Wandering Jew, who is originally referred to as Cartaphilus or Malchos, later Ahasverus. According to a narrative, taken down already in the first half of the thirteenth century in its essential setup, the so called "Wandering Jew" had punched Jesus, for which he was condemned by him to a ceaseless wandering until his second advent on earth. | en_US |
| uk.file-availability | V | |
| uk.publication.place | Praha | cs_CZ |
| uk.grantor | Univerzita Karlova, Filozofická fakulta, Ústav pro dějiny umění | cs_CZ |
| dc.identifier.lisID | 990017069480106986 | |
