Tatarkova autobiografická ikonografia (Navrávačky)
TATARKA’S AUTOBIOGRAPHICAL ICONOGRAPHY (NAVRÁVAČKY)
dc.contributor.author | Forgáč, Marcel | |
dc.date.accessioned | 2021-10-07T11:05:15Z | |
dc.date.available | 2021-10-07T11:05:15Z | |
dc.date.issued | 2021 | |
dc.identifier.uri | http://hdl.handle.net/20.500.11956/150812 | |
dc.language.iso | sk | cs |
dc.publisher | Univerzita Karlova, Filozofická fakulta | cs |
dc.subject | Dominik Tatarka | cs |
dc.subject | Navrávačky | cs |
dc.subject | identita | cs |
dc.subject | pamäť | cs |
dc.subject | Friedrich Nietzsche | cs |
dc.subject | ikona | cs |
dc.title | Tatarkova autobiografická ikonografia (Navrávačky) | cs |
dc.type | Vědecký článek | cs |
dcterms.accessRights | openAccess | |
dcterms.license | http://creativecommons.org/licenses/by-nc-nd/2.0/ | |
dc.title.translated | TATARKA’S AUTOBIOGRAPHICAL ICONOGRAPHY (NAVRÁVAČKY) | cs |
uk.abstract.en | The article focuses on the analysis of autobiographical intentions in Dominik Tatarka’s work Navrávačky. The author’s autobiographical approach is decrypted in the Nietzschean context as the subject’s self-realization strategy based on the principle of fixation and elaboration. The Carpathian shepherd concept, which is a result of the interference between fixation and elaboration principle, is based on the autobiographical semantic concentration and re-direction of the experienced events. However, by activating mythological schemes, it creates an opportunity to transform the author’s pragmatic image into an icon. | cs |
dc.publisher.publicationPlace | Praha | cs |
uk.internal-type | uk_publication | |
dc.identifier.doi | 10.14712/23366729.2021.2.5 | |
dc.description.startPage | 73 | cs |
dc.description.endPage | 88 | cs |
dcterms.isPartOf.name | Svět literatury - Časopis pro novodobé literatury | cs |
dcterms.isPartOf.journalYear | 2021 | |
dcterms.isPartOf.journalVolume | 2021 | |
dcterms.isPartOf.journalIssue | 2 | |
dcterms.isPartOf.issn | 2336–6729 | |
dc.relation.isPartOfUrl | https://svetliteratury.ff.cuni.cz |
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Číslo 64 [18]
Issue 64