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No pain, no gain. Studie narativu utrpení. Ellen Foster Kaye Gibbonsové & Lying Lauren Slaterové
dc.contributor.advisorUlmanová, Hana
dc.creatorLibovická, Barbora
dc.date.accessioned2017-03-20T12:39:56Z
dc.date.available2017-03-20T12:39:56Z
dc.date.issued2006
dc.identifier.urihttp://hdl.handle.net/20.500.11956/3499
dc.description.abstract"The experience of suffering both provokes and resists narration. It is at the hearl of many of the world's great stories (the Odyssey, the Book of Job, the Gospels, the Divine Comedy, Paradise Lost) and yet absent, in a fundamental way, from every story. Because intense suffering takes language away, retrospective narration can seem futile, even falsifying. Moreover, it often raises more questions than it answers. (Who or what is responsible for suffering? Is it merited? What ends it? How can it be made commensurable with the rest of ones's life? What is its meaning? How does one cope with it?) In spite of all this, sufferers continue to tug at the shirls/eeves of passersby, and passersby continue to stop, listen and fall into the sufferers's story. Why?" My opening paragraph is a description of a course that I discovered in the Bard College Course Catalogue for the fall semester 2001 - the year of the falling towers. I was immediately intrigued by the description, having myself experienced great loss, and suffering from it again despite a long passage of time and coping. The course was called Narratives of Suffering, drew on literature from the American literary canon, and proved to be very enriching and inspiring. Starting chronologically with short stories of captivity and shipwreck narratives, we later...en_US
dc.description.abstractJak Kaye Gibbons, tak Lauren Slater jsou pro ceskeho ctenare zcela neznamymi spisovatelkami. Jednfm z diu teto diplomove prace je proto priblizit tyto mlade americke autorky ceskemu prostredL Kaye Gibbons pochazf ze Severnf Karoliny a vzhledem k tematum, jimz se ve sve pr6ze venuje, a stylu, jfmz pfse, se radf do proudu jizanske literatury po boku Williama Faulknera, Flannery O'Connor a dalsfch. Jiz jejf debut, kterYm se v teto praci zabyvame, nazvany die hlavnf hrdinky El/en Foster (1987), sklidil necekany uspech a mnoho prestiznfch ocenenL Od te doby napsala autorka dalsfch sest uspesnych romanu a svuj vlastnf zivotopis. Charakteristicke jsou jejf hrdinky - vzdy silne sobestacne zeny z jizanskeho venkova. Lauren Slater pochazf z Masachusettes. Ackoli je predevsfm psycholozkou, pfse eseje a napsala jiz sest knih, z toho ctyri autobiografie. Zde se budeme venovat jejf tret! autobiografii Lying: A Metaphorical Memoir (2000), ktera pojednava 0 autorcine detstvf a dospfvanL Ve svych dalsfch autobiografifch zachytila autorka sve tehotenstvf, zivot s Prozacem (antidepresivum) ci svou terapeutickou praxi. Krome psanf se Slater venuje rfzenf kliniky dusevnfho zdravf a vyucovani kreativniho psani. Diplomova prace No Pain, No Gain je studii pojednavajfd 0 zpusobech, kterYmi Ize diskursivne uchopit lidske utrpeni,...cs_CZ
dc.languageEnglishcs_CZ
dc.language.isoen_US
dc.publisherUniverzita Karlova, Filozofická fakultacs_CZ
dc.titleNo pain, no gain. A study in narratives of suffering. Kaye Gibbons's Ellen Foster & Lauren Slater's Lyingen_US
dc.typediplomová prácecs_CZ
dcterms.created2006
dcterms.dateAccepted2006-02-08
dc.description.departmentÚstav anglistiky a amerikanistikycs_CZ
dc.description.facultyFilozofická fakultacs_CZ
dc.description.facultyFaculty of Artsen_US
dc.identifier.repId26497
dc.title.translatedNo pain, no gain. Studie narativu utrpení. Ellen Foster Kaye Gibbonsové & Lying Lauren Slaterovécs_CZ
dc.contributor.refereeRoraback, Erik Sherman
dc.identifier.aleph000712928
thesis.degree.nameMgr.
thesis.degree.levelmagisterskécs_CZ
thesis.degree.disciplineAnglistika - amerikanistika - Politologiecs_CZ
thesis.degree.disciplineEnglish and American Studies - Political Scienceen_US
thesis.degree.programHumanitiesen_US
thesis.degree.programHumanitní studiacs_CZ
uk.thesis.typediplomová prácecs_CZ
uk.taxonomy.organization-csFilozofická fakulta::Ústav anglistiky a amerikanistikycs_CZ
uk.faculty-name.csFilozofická fakultacs_CZ
uk.faculty-name.enFaculty of Artsen_US
uk.faculty-abbr.csFFcs_CZ
uk.degree-discipline.csAnglistika - amerikanistika - Politologiecs_CZ
uk.degree-discipline.enEnglish and American Studies - Political Scienceen_US
uk.degree-program.csHumanitní studiacs_CZ
uk.degree-program.enHumanitiesen_US
thesis.grade.csVýborněcs_CZ
thesis.grade.enExcellenten_US
uk.abstract.csJak Kaye Gibbons, tak Lauren Slater jsou pro ceskeho ctenare zcela neznamymi spisovatelkami. Jednfm z diu teto diplomove prace je proto priblizit tyto mlade americke autorky ceskemu prostredL Kaye Gibbons pochazf ze Severnf Karoliny a vzhledem k tematum, jimz se ve sve pr6ze venuje, a stylu, jfmz pfse, se radf do proudu jizanske literatury po boku Williama Faulknera, Flannery O'Connor a dalsfch. Jiz jejf debut, kterYm se v teto praci zabyvame, nazvany die hlavnf hrdinky El/en Foster (1987), sklidil necekany uspech a mnoho prestiznfch ocenenL Od te doby napsala autorka dalsfch sest uspesnych romanu a svuj vlastnf zivotopis. Charakteristicke jsou jejf hrdinky - vzdy silne sobestacne zeny z jizanskeho venkova. Lauren Slater pochazf z Masachusettes. Ackoli je predevsfm psycholozkou, pfse eseje a napsala jiz sest knih, z toho ctyri autobiografie. Zde se budeme venovat jejf tret! autobiografii Lying: A Metaphorical Memoir (2000), ktera pojednava 0 autorcine detstvf a dospfvanL Ve svych dalsfch autobiografifch zachytila autorka sve tehotenstvf, zivot s Prozacem (antidepresivum) ci svou terapeutickou praxi. Krome psanf se Slater venuje rfzenf kliniky dusevnfho zdravf a vyucovani kreativniho psani. Diplomova prace No Pain, No Gain je studii pojednavajfd 0 zpusobech, kterYmi Ize diskursivne uchopit lidske utrpeni,...cs_CZ
uk.abstract.en"The experience of suffering both provokes and resists narration. It is at the hearl of many of the world's great stories (the Odyssey, the Book of Job, the Gospels, the Divine Comedy, Paradise Lost) and yet absent, in a fundamental way, from every story. Because intense suffering takes language away, retrospective narration can seem futile, even falsifying. Moreover, it often raises more questions than it answers. (Who or what is responsible for suffering? Is it merited? What ends it? How can it be made commensurable with the rest of ones's life? What is its meaning? How does one cope with it?) In spite of all this, sufferers continue to tug at the shirls/eeves of passersby, and passersby continue to stop, listen and fall into the sufferers's story. Why?" My opening paragraph is a description of a course that I discovered in the Bard College Course Catalogue for the fall semester 2001 - the year of the falling towers. I was immediately intrigued by the description, having myself experienced great loss, and suffering from it again despite a long passage of time and coping. The course was called Narratives of Suffering, drew on literature from the American literary canon, and proved to be very enriching and inspiring. Starting chronologically with short stories of captivity and shipwreck narratives, we later...en_US
uk.file-availabilityV
uk.publication.placePrahacs_CZ
uk.grantorUniverzita Karlova, Filozofická fakulta, Ústav anglistiky a amerikanistikycs_CZ
dc.identifier.lisID990007129280106986


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